‘…Nothing in the universe is coincidence…Somebody in the Kennedy family did something to open the family up to the negative energy that has been plaguing them for decades.’–Rabbi Meir Yeshurun of the Kabbalah Center in Boca Raton, Florida speaking to The Palm Beach Post…
‘According to a story told in mystical Jewish circles, JFK’s father Joseph Kennedy returned to the United States aboard an ocean liner that was also carrying Israel Jacobson, a poor Lubavitcher rabbi and six of his yeshiva students who were fleeing the Nazis. A notorious anti-Semite, Kennedy complained to the captain that the bearded, black-clad Jews were upsetting the first class passengers by praying on the Jewish High Holy Day of Rosh Hashanah. In retaliation, so the story goes, Rabbi Jacobson put a curse on Kennedy, damning him and all his male offspring to tragic fates. It is a curious fact that the very same people who scoff at the concept of ‘Kismet’–fate–find it difficult to dismiss the concept of curses… The Kennedy family made the fatal mistake of thinking of themselves as divine.’
–Edward Klein, former Editor-in- Chief of the New York Times Magazine, writing in the opening pages of ‘The Kennedy Curse’
2016 Mark Glenn
Pt 1–The voodoo that they do so well…
In mid-September of 2015, during the period of ‘High Holy Days’ that begins with Rosh Hashanah (the Jewish new year) and ends with Yom Kippur, (the ‘day of judgment’) an ‘artiste’ of the Hebraic persuasion, proudly brandishing the very biblical name ‘Sarah Levy’ made headlines the world over by unveiling her latest ‘masterpiece’, a painting of Republican Presidential candidate Donald Trump.
The picture itself was unremarkable, save for the fact that Trump’s right eye had been gouged out, leaving only an empty, blood-filled socket, as well as other brushstrokes revealing the unmistakable hostility with which Mz. Levy held the wannabe leader of the free world.
What was remarkable however was the length to which Mz. Levy went in ‘personalizing’ this 2-tone ‘watercolor’ painting that in the course of just a few hours’ time, literally–conversationally-speaking–became the ‘belle of the ball’ worldwide. While artists oftentimes make the figurative claim of having sacrificed blood, sweat, and tears in producing their various magna opera, Mz. Levy however–for reasons known only to her and to whatever obscure spirits were guiding her actions at the time–went a step further by utilizing one of the aforelisted bodily fluids–her own menstrual blood–which she collected in her personal Diva cup.
Her masterpiece in Judaic shock and awe was appropriately titled–surprise, surprise–’Bloody Trump’.
Reaction to the painting was mixed. Those on the far left were tickled pink (no pun intended) given that civilized society’s red lines (again, no pun intended) had once again been violated, this time by a ballsy, buxomy Hebress whose last name ‘Levy’ intimated her elevated status as a priestess of sorts. Those on the right shook their heads in understandable disgust, and for the very same reason, in that (once again, surprise, surprise) someone from ‘la sinistra’ just HAD to make their point in the most vulgar, uncivilized, and socially unacceptable way imaginable, an act of profane incivility only outdone by another Hebress with ‘priestly’ roots going by the name of Natali Cohen Vaxberg, whose own masterpiece of political art–a video of her squatting down like a dog and defecating on the flags of various nations–had also become the subject of worldwide discussion.
Unfortunately, for both Donald Trump and those investing a sizeable amount of hope in both his candidacy and possible presidency, they missed the point that Mz. Levy (and her cousins in the Jewish owned Western media) seemed to be trying to make. She didn’t just paint an ugly picture of Trump with warts, bad teeth, and stink lines. In a sense, this was black magic of sorts masquerading as ‘art’, aimed at conjuring up dark forces against someone deemed an enemy deserving of death.
Like some modern day witch performing a ritualistic blood sacrifice or a voodoo priestess sticking pins into a doll, the fact that she did it with her own blood hints at something more than just the desire to be artistically avantgarde. She collected the blood in a vessel similar in shape to the same Mizrak used by her Levitical forefathers of centuries past when performing the ritual slaughter of animals as methodically laid out in the Jewish Torah. The white, rectangular-shaped canvas upon which she splattered her own menstrual blood via paintbrush became an ‘artistic’ representation of the same altar of sacrifice upon which Jewish priests of yesteryear splattered the blood of a goat or ram…She gouged out Trump’s right eye in the Levitical manner required in Judaism’s ‘Law of Retaliation’–an eye for an eye–as well as giving artistic expression to the various curses said to befall those who get sideways with the God of Israel, to wit–
‘But it shall come to pass, that if thou wilt not hearken unto the voice of the God of Israel and observe all his commands, that the Lord shall smite thee with madness, blindness, and confusion…Thou shalt grope during the day as the blind gropeth at night…Thy life shall forever hang in doubt before thee and thou shalt have no assurances for thy life…’–Deuteronomy, Ch. 28
As far as the implications associated with Mz. Levy’s ‘masterpiece’ go, tragically–for both Trump and for those whose futures might be positively affected by his ascension as new Caesar of the new Rome–no one seemed to ‘get it’. Similar to Netanyahu’s infamous ‘BOMB-ABOUT-TO-GO-BOOM’ cartoon which he menacingly brandished on the floor of the U.N. in 2012 (a not-so-veiled threat that the already-stormy political weather was about to get significantly worse if the rest of the world refused to ‘get right’ with his demands) the reactions to ‘Bloody Trump’ were completely incommensurate with the seriousness of what the horrific picture portended. Just as Netanyahu’s threats delivered at the UN took place not-so-coincidentally during that same period of ‘High Holy Days’ (wherein Jews believe that the ‘good’ have their names inscribed into the Book of Life and the ‘bad’ into the Book of the Dead) the release of Mz. Levy’s ‘masterpiece’ suggesting a political candidate’s bloody demise also took place during this time period but with neither awareness of nor even mild interest in this highly symbolic fact.
Instead, much like the yawning disinterest that was expressed towards Netanyahu’s ‘I’m going to make you an offer you can’t refuse’ speech delivered at the UN, the entire affair involving this strange political seance on the part of Mz. Levy and her bloody manuscript was seen as everything except what it was–a morbid event where the subjects being discussed were violence, hatred, vengeance, and death.
Whether this was a genuine blood curse being placed against ‘The Donald’ or whether ‘Bloody Trump’ was just another in a seemingly endless production line of Judaic ‘art’ that always seems to showcase some excretory part of the human anatomy, all can rest assured that a blood curse was/is precisely how it was interpreted and perceived by those who coagulate around organized Jewish interests and for whom Israel serves as the nucleus around which they as dutiful satellites orbit.
For these ‘in the know’ types–initiates who speak, read, and write that seemingly imperceptible-to-the-Gentile-ear gangsterese that fuels and organizes virtually all Judaic activity–Mz. Levy’s ‘Bloody Trump’ was the equivalent of an OpEd appearing in a major daily written in invisible ink that is readable only under a special light…Like other Hebraic heroines such as Esther, Judith, Deborah, etc, who led various seek-and-destroy campaigns against male political figures deemed threatening to the interests of the tribe, Mz. Levy’s trumpeting of ‘Bloody Trump’ has served as a reveille of sorts in both waking and rallying the modern day Israelite troops–hardened, fanatical, dedicated warmongers with non-Semitic names such as Kristol, Krauthammer, Foxman, Adelson, Singer, etc–onto the political battlefield and, not unlike the biblical warlord Joshua blowing his shofar outside the walled city of Jericho prior to its invasion and destruction, issuing the command to attack.
Unfortunately, most Gentiles–and especially those of the 21st century persuasion–have no innate understanding of Judaic guile and as such suffer from a certain tone-deafness when it comes to detecting/decoding the murmurs and whispers of conspiracy and assassination on the part of today’s Sicarii, the modern-day version of yesteryear’s Judaic terrorists who plotted murder against those who cooperated with the occupying Roman government. And while this handicap is clearly a reality when it comes to Gentiledom, all can rest assured that no such hearing problems exist amongst those dedicated assassins who today are working feverishly to prevent the ascension of a new Caesar in the person of one Donald J. Trump who has indicated via certain statements that he will prove problematic to today’s version of yesterday’s Judea–the modern day state of Israel.
Understandably, for those living within this ‘enlightened’ and ‘progressive’ 21st century’ A.D., the notion that there are benighted, backwards, and primitive minds who still put stock in blood curses, Old Testament style voodoo and other forms of Judaic black magic elicits little more reaction than mild and condescending amusement, similar in many respects to what took place in the aftermath of Netanyahu’s bomb cartoon at the UN.
What these same ‘amused’ individuals need to understand however is that individuals such as Mz. Levy, Netanyahu, and the rest of the gang are–as they are fond of reminding the world on a regular basis–‘different’. For them, the same ‘enlightened’ and ‘progressive’ 21st century A.D. that is home to 7 billion Gentiles the world over does not in fact exist. It is a myth, a fable, a fantasy, and a work of science fiction. In the members-only Jewniverse where Levy & co reside as VIP citizens of this strange, unstable, and foreboding planet known as Jewpiter (inhabitable only by them and not capable of sustaining Gentile life) 2016 A.D. is an illusion and a place of non-reality based upon what Judaism considers to be heresy and high spiritual treason.
For them–recalcitrant aliens from a religious and cultural galaxy far, far, away, where time does not move forward but remains firmly fixed in the 21st century B.C.–it was just a few weeks ago–relatively speaking–that Abraham, godfather of ‘la famigila’, was hearing voices in his head promising him and his future DNA a certain piece of Middle Eastern real estate along with the assurance that all those who prostrated themselves before him would be rewarded and those who didn’t would be destroyed. Only a day or so later Moses was having conversations with a tree and then ushering in a series of devastating plagues upon Egypt that ended with the firstborn of every household being massacred. A few hours after that, the Israelites, executing commands sent down from HQ, were invading village after village in the ‘promised land’, slaughtering everyone and everything within eyesight and in general making good on various passages from their ‘holy’ books that read in some fashion thus–
And to people such as these–whose theme song is more ‘Yesterday’ by the Beatles than ‘Don’t Stop Thinking About Tomorrow’ by Fleetwood Mack–curses are as much the ‘real deal’ and part of the laws of science and physics as is the notion that swinging chickens over one’s head will abate the wrath of a vengeful, vindictive god and prevent holy hellfire from raining down from above.
But the most important thing to remember when weighing in on all of this Judaic voodoo nonsense is that curses don’t have to be efficacious in order to be effective. As demonstrated by the events described in an article appearing in Israel’s Haaretz Newspaper dated Jul 27, 2005 entitled ‘Extremists Put Death Curse on PM Ariel Sharon’, mentally-unstable people are perfectly capable of personally delivering death and destruction if the Hebrew god Yahweh happens to find himself indisposed for the moment, to wit–
‘A group of extreme-right activists said yesterday that they held a ceremony to place a pulsa denura, a halakhic curse, on Prime Minister Ariel Sharon in order to bring about his death. Michael Ben-Horin, among the organizers of the ceremony, said that in view of the tight security around Sharon, which “is ten times tighter than [was] the security around Hitler and Stalin”, that no man would be able to kill him. They had therefore called upon the Angels of Destruction to kill Sharon, Ben-Horin said.
Pulsa denura – or ‘whip of fire’ in Aramaic – is a curse with origins in Kabbalistic mysticism. It first came to light in Israel when far-right rabbis pronounced the curse during the turbulent period that preceded the death of former prime minister Yitzhak Rabin. The ceremony, which is supposed to cause the death of the subject within a year, calls upon the angels of destruction to refrain from forgiving the subject his sins, to kill him and to call down all the curses named in the Bible.
The ceremony’s organizers also included Rabbi Yosef Dayan from the West Bank settlement of Psagot, who was among the rabbis who had placed a pulsa denura on Rabin. After Rabin’s assassination, Dayan was arrested for threatening to place a curse on Shimon Peres.’
Of course, those in their right minds rightly diagnose the belief in Hebraic curses as just one of many symptoms indicating the presence of Jtosis, i.e. the mental illness that inevitably results from the prolonged and unprotected exposure to the highly toxic/highly radioactive spiritual substance known as Judaism.
However, there is no denying the chilling effect that is produced when–in the aftermath of such curses being uttered–some mentally-deranged individual takes it upon him/herself to become the ‘chosen arm’ of Yahweh’s vengeance (as infamously took place in 1995 with the assassination of Israeli PM Rabin by one Yigal Amir) and hastens ‘the day of the Lord’ by burying a bullet, baseball bat, brick, or some other blunt object into the head of whoever happens to be the target of the curse.
Whether ‘Bloody Trump’ was indeed the poisoned pen portrait some may speculate it was/is or whether it was simply the mental mutterings of a wannabe High Priestess in the throes of some monthly, hormone-induced mania is irrelevant.
What matters is what is taking place in the here and now on the American political scene, as a visible and verifiable manifestation of Mz. Levy’s curse-on-a-bloodstained-canvas materializes, a phenomenon that only someone living on another planet could avoid noting as the obvious political bloodbath involving Trump takes place on an hourly basis within that slaughterhouse known as the Jewish owned mainstream media in America and the West. Without question, as proven everyday by both the amount and potency of the venom and vitriol spewing from vipers’ fangs within every corner of what is the organized Zionist war machine, a death curse on the political ambitions of Donald Trump are made plain.
Indeed, these powerful interests, fearing what will come to Israel in the event of a Trump Caesarship have placed their own halachic Pulsa Denoura on him and as such, like a pack of political hyenas, are surrounding the would be lion king, taking turns nipping at his hind quarters in the interests of wearing him down and wearing him out, at which point he is easily overwhelmed, destroyed, and thus removed from the hunting grounds as king of the jungle.
Indeed, the painting by Mz. Levy–’Bloody Trump’–was the trumpet blast heard ’round the world. Buried deep under many layers of symbolism and nuance and yet Kristol clear to those ‘made’ members of La Kosher Nostra skilled in Judaic philology is the inescapable message, that the ‘Teflon Don’ has fallen out of favor with Judea, Inc and as a result, his days are numbered. The only question remaining is whether his death will be merely political, or whether the Siccari in America, Israel, and throughout the world will, in employing the motto of the assassination agency Mossad–‘by way of deception, we shall make war’–activate some ‘Islamic’ agent to gun him down in some dramatic fashion, thus leaving Marco Rubio–clearly ‘the Golden Boy’ as far as the Jewish state is concerned, with a clear and open road to 1600 Pennsylvania Ave.
‘Pulsa denura is commonly considered the most severe of kabbalistic curses. According to descriptions found in books and the media, ten righteous kabbalists gather at midnight in a synagogue, by the light of black candles, blow shofars and recite the curse. If the curse has been uttered by worthy and righteous men and against an appropriate target, the target is supposed to die within the year. If it has been uttered by unworthy persons or against a target who has not sinned, the curse is supposed to have a boomerang effect.’
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