Letter to truth activist Trevor LaBonte from a (((concerned musician))) OY VEY!


jew

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  1. #1 by Gary on 01/26/2017 - 9:34

    You’re so right about musicians. I learned a long time ago not to look to deep into the politics of my favorite bands because if I did, I’d throw all my records and CD’s out. They have a little technique they use to get out of confronting jewish terrorism. They say they’re for peace and abhor all violence. By doing this they don’t have to name names. Of course when israel was bombing Gaza into the stone age, they were conveniently on tour in some country half way around the world. Their social commentary centers around easy targets-gun control, womens rights and police violence which score them big points with their fans. But israeli terrorism-silence.

  2. #2 by James Benn on 01/26/2017 - 9:34

    Jeees, well, I guess you can take the boy out of the synagogue … but you can never take the synagogue out of the boy.

    But let’s face it … a lot of what passes for Christianity is tantamount to Judaism. Just substitute one exclusivist, self-aggrandizing sect for another, and what have you got? Any number of ‘born again’ cults captained by madmen such as John Hagee. Yes, there are plenty of Christians who get off on the idea that they – alone and unblemished – are uniquely (and inexplicably) ‘chosen’. And everyone else is … ahem … somewhat less than fully human.

    And it is indeed the source of a lot of mental illness. It infects all relationships. Including with one’s own. Plus it takes a lot of emotional energy to maintain one’s sense of ‘superiority’ in face of mounting evidence to the contrary. You can only really do so if you belong to a club of self-admirers.

    Of course it’s much easier to maintain the illusion of one’s god-given superiority if you have the money to bank-roll it. And in the case of the Jewish collective, they do. The Juze MAKES the money and lends it into circulation. Remember, at the top of the pyramid, money costs NOTHING to manufacture. It is most expensive at the bottom where the ‘stupid goy’ go into credit card debt in order to survive.

    Atop the pyramid sit the ‘Chosenists’ who are able to access any amount of cheap cash to buy up all those lovely companies and corporations we hear so much about … such as the entirety of the ‘Meeja’, the ‘Entertainment Industry’, not to mention the Military Industrial Complex.

    In fairness, with access to infinite quantities of lucre, who would NOT feel ‘superior’?!

  3. #3 by chuckmaultsby on 01/27/2017 - 9:34

    As a musician I was very disappointed when I finally and fully realized that musicians, with few exceptions, are self-absorbed twits who seek nothing but popularity and approval and would not take an unpopular stand on any issue out of fear of becoming unpopular.

    Music Industry

    “With magazines, with movies, it’s always weird when things are targeted for young people yet they are driven by people that are like 40 years too old. It can’t be like this 70 year old Jewish man, that doesn’t leave his desk all day, telling me what the clubs want to hear.” …Miley Cyrus

    The American music industry is largely dominated by Jews. Starting with most of the founders and CEOs of all of the largest Recording companies such as: Clive Davis is still the head honcho at Columbia Records.

    Herb Alpert and Jerry Moss are the founders and operating officers at A&M Records (I actually thought that Herb Alpert and the Tijuana Brass was a Mexican outfit because of the moniker and because of their Lonely Bull hit in the early 60s). But nope, Herb is Jewish and so is Moss.

    Neil Bogart founded Casablanca Records and scored with disco queen Donna Summers and KISS (KISS members Gene Simmons and Paul Stanley are Jewish).

    David Geffen was a big shot at Warner/Electra/Asylum, then formed his own Little David label, and now is partners with Stephen Spielberg and Jeffrey Katz at DreamWorks movie and recording enterprises.

    Jay Lasker was the force behind ABC/Paramount/Dunhill/MCA.

    The jazz label, Blue Note, was founded by Alfred Lion, Francis Wolff and Max Margulis and is now owned by the Universal Music Group (Zach Horowitz President &COO).

    Mo Ostin was the man behind various labels including Verve, Warner Brothers, and Reprise. And he managed DreamWorks for David Geffen in its infancy.

    Herb Abramson was the man behind the super-success of ATCO Records which spun off from Atlantic Records where he was the force with Ahmet Ertegun (a non- Jewish Turkish aristocrat).

    Leslie Moonves was the man behind CBS Records for decades; presently Joel Klaiman is the power man who steered the radio and video promotion of country music cutie Taylor Swift.

    Max and Sol Weiss founded Fantasy Records and were bought out by Saul Zaentz in 1967. Fantasy started out as a jazz label featuring Dave Brubeck and Cal Tjader, but moved into rock with the signing of Creedence Clearwater Revival.

    Lou Adler was the man behind Dunhill Records that gave the world the Mamas and Papas, Three Dog Night, Spirit and Johnny Rivers.

    Rick Rubin is the co-president of Columbia Records and co-founded Def Jam Records with Lyor Cohen. Rubin is considered to be the most important record producer in the industry having worked with artists as varied as Beastie Boys (all Jewish members), LL Cool J, Public Enemy, Run-DMC, Tom Petty, Slipknot, Slayer, Red Hot Chili Peppers, Dixie Chicks, AC/DC, Neil Diamond, ZZ Top, Linkin Park, Weezer, Aerosmith and etc.

    Moses Asch founded Folkways Records (sold to the Smithsonian Institution in 1987 and is now Smithsonian-Folkways).

    The Rap record industry is controlled by Jews such as Jerry Heller of Ruthless Records (N.W.A, Bone Thugs

    and Harmony), Jonathan Wolfson who founded Death Row Records with Suge Knight, Steve Rifkin of Loud Records, and Paul Rosenberg of Goliath-Shady Records (Eminem).

    Jewish record producers such as Paul Rothchild (The Doors, Janis Joplin, Lovin Spoonful and Neil Young), Lenny Waronker (James Taylor, Randy Newman, Gordon Lightfoot, Maria Muldaur, Everly Brothers), and Phil Spector (Righteous Brothers, Ronettes, Ike and Tina Turner, Ramones) cranked out scores of hits.

    Phil Spector was one of the many Jewish songwriters who worked at New York City’s Brill Building which has been described as “the most important generator of popular songs in the Western world.”

    Other Jewish songwriters working at the Brill Building were: Burt Bacharach and Hal David (Raindrops Keep Falling On My Head)

    Gerry Goffin and Carole King (once married and writers of their breakthrough hit for the Shirelles Will You Love Me Tomorrow)

    Ellie Greenwich and Jeff Barry (once married and writers of Be My Baby, Leader of the Pack, Do Wah Diddy, River Deep Mountain High, Hanky Panky)

    Marvin Hamlisch (The Way We Were)

    John Kandor and Fred Ebb (New York, New York)

    Barry Mann and Cynthia Weil (You’ve Lost That Lovin Feelin, On Broadway)

    Artie Kornfeld (Dead Man’s Curve, The Rain, The Park & Other Things)

    Jerry Leiber and Mike Stoller (Hound Dog, Kansas City, Jailhouse Rock)

    Laura Nyro (Eli’s Coming, Wedding Bell Blues, Stoned Soul Picnic)

    Doc Pomus and Mort Shuman (Little Sister, This Magic Moment, Viva Las Vegas)

    Bert Berns (Hang on Sloopy, Twist and Shout)

    Neil Sedaka and Howard Greenfield (Who’s Sorry Now, Stupid Cupid, Calendar Girl, Where the Boys Are, Love Will Keep Us Together)

    Paul Simon (Red Rubber Ball, The Sound of Silence, Mrs. Robinson, Bridge Over Troubled Water)…

    Even Motown Records, which you’d think was an exclusive domain of African-American talent, was headed by Jewish guy Kedar Massenberg from 1997 until 2004.

    And Nashville, being the heart of the “Bible Belt” country music industry, has powerful Jews running labels such as Paul Cohen at MCA-Nashville who was largely responsible for the success of Taylor Swift.

    On Thu, Jan 26, 2017 at 4:31 PM, The Ugly Truth wrote:

    > trevorlabonte posted: ” Continue reading” >

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